Steampunk Dance Style Creation

If you were to imagine an alternate universe, would you be able to determine what the dance forms would look like in that universe?

Imagine, say, that something strange and apocalyptic happened during  the turn of the century, so that the whole of society spun away from democracy and technological progress.  Instead it stayed in a state of psuedo-Victorian “grey age”.  This is the vision of many “steampunk” afficianados, who adopt a combination of love of historical items (from top hats to blunderbusses), do-it-yourself crafts projects (such as creating elaborate costumes, googles, props, guns, etc), and a modern sexy vibe that includes punk, lingerie as outerwear, and burning man creativity.

If this alternate “steampunk” universe were to exist, with it’s own separate path of history, what would the dancing look like?  Would they still dance partner dances (such as quadrilles and mazurkas from the 1890s)?  Or would they have had their own dance revolutions and have brand new styles not seen in this universe?

All of this comes to mind as I have been commissioned to choreography a modern quadrille for the short film being created here in San Francisco, Perpetual Steam Punk.

I will be creating the dance for the end of the film, which is set in the alternate steampunk universe in our current decade.  The directors have asked for a combination of traditional quadrille steps with modern movement.

Which brings to mind the question, can you solve for what a society’s dance forms will look like, if you know enough about their culture?  And which things in the culture determine what the dance form will look like?

I have never really had a chance to think about it before, but with many years of studying dances from around the world, I wonder if you took the following things into account, if you could determine what the dancing will look like:

1.  What the culture values (order vs. independence, strength vs. elegance, academic intelligence vs. joyful spirit).  If you look at cultures that value order, they tend to have dances with elaborate, ordered interlacing of the dancers in floor patterns.  Cultures that instead value individuality and creative spirit tend to have more individual creative body movement, flexible use of the body, and less rigid posture.

2.  Religious standards about touching.  Religious idealogy frequently sets boundaries to the kind of body movement accepted in a culture, both how one dancer moves their body, and how dancers touch and interact.

3.  Hygiene.  Not sure if this is actually true, but it would seem possible that areas of the world that have extensive medicine and infrastructure for clean water / showering / etc. tend to have more close contact dancing.  Dances from less infrastructure areas might have less close contact dancing.

4. Status of women in the culture.  Are women valued for their hard work, strong bodies and minds?  Or are women valued as decorative and delicate objects to be possessed by the men?  You can tell a lot about the way the way women’s dancing will look by how they are valued in the culture.  Are women allowed to make their own choices about who and when to marry / partner with?  Or are these choices forced upon them?  The power dynamics of the culture will also give insight to whether’s women’s dancing will be an appealing show for a male audience, a celebration of personal power, or an individualist show of strength.

5. Status of men in the culture.  Are men valued for their kindness, or their brawn?  For their self-discipline, or their flexibility?  I think men’s styles of dancing around the world vary a lot less than women’s.  Perhaps this is because men are frequently showcasing their skills for women’s approval and tend to showcase the same things:  physical strength, agility, and endurance.  But you do see some variation, which perhaps leads to the difference between Irish Step Dancing vs. African warrior dancing.

6. Existence / ease of birth control.  I think many dance forms from prior centuries kept the men and women separate because dance = hanky panky = unwanted children = societal problems.  The simple solution – keep the men and women separate as much as possible.  Certainly the kind of close dancing you now see in clubs would have lead to many problems before the advent of modern birth control!  I believe the existence / availaility of birth control can tell you a lot about the way cultural dance forms will look, and the kind of partnering you see.

I am still thinking of various factors that might influence how dance evolves in a particular culture.  What do you think makes an impact?  The clothing style?  Musical instruments?  Types of footgear worn?  Religious / story telling traditions?  Performance traditions?

I am excited to try to take the alternate history of San Francisco steampunk, and try to create a dance style that matches wha might have been.  In a universe like our own, but with changes to the technology and history, would we dance as we do today?

Check out more about Steampunk Dancing with Richard Powers.

Leave your thoughts below…

Rumba Steps – Just in Time!

Soo… yeah… Rumba should be easy, cause it’s slow, right?

Well this choreography is not so easy.  But it will certainly give both your brain and your body and workout.

Your body tones differently when you practice eccentric contractions (moving slowly) so rumba can be a great workout – hope you come out on Friday to Reach to try it again!

Here are the steps slowly with explanation:

And here’s a little faster with the counts:

And here’s with music!

For more on rumba, check this out. Joanna and Michael are two of my favorite dancers, and she knows how to move (not so sure about her explanations, but whatever).  These are many “basic” International Latin patterns, but they dance them so fully they look like amazing.

Reggaeton Videos for “Yo Queiro Bailar”

Hey ZUMBA Dancers!

Here’s a new reggaeton choreography that we’ve been dancing to “Yo Queiro Bailar”.  The song is a ZUMBA special mix hot off the MegaMix that just got released.  So enjoy hip hopping up your Latin groove with these steps:

and here are the steps with a little bit of the music:

For a little history on reggaeton music and dancing, check here.  And yes, this is one of the more “earthy” dances that we do in ZUMBA class – that’s why there’s been controversy about this dance style even in it’s places of origin!  There has been government condemnation of this style of dance in both Puerto Rico and Cuba.. it’s that hot.  =)

Wow

There are some times I watch dancing and it’s painful and beautiful at the same time.

This routine, choreographed by Wade Robson, is one of those moments.

These dancers inspire me to continue to work on my technique, strength, and flexibility. But more than that, it’s a challenge to continue to put authentic feeling into my work, whether as choreographer or dancer.

Do you have an inspirational dance video? Please share below so we can all see…

Zweifachers

Zweifachers!

I had a lovely time teaching Zweifachers at Friday Night Waltz on March 20th. Here are a few of the songs that we worked on:

Da Wampert Gust (easiest Zweifacher in existent – PPPPWW). We used this as a time to explore alternate movements besides just pivoting and waltzing.

Sommermichel (a very satisfying Zweifacher. “A” section is PPPPWW, “B” section is WWWW, “C” section is WPPWPPWPPWW. Whole song is AABAACC. Note that the second “C” you will be starting on your second foot.)

Fallen Angel (really more of a 5/4 waltz than a Zweifacher, but does have some lovely switches of 5/4 and 6/8. We did ronde runs in 5/4, regular waltz, 5/4 waltzing, regular rotary waltz, 5/4 pattycakes, regular waltz, 5/4 waltzing, regular waltz, and then a big section of “schootching” Zweifacher WP, followed by a section of truly rotating Zweifacher, WP, and ending with regular waltz. We didn’t get to it, but you can also do redowa in 5/4 time – like 5/4 waltz, and it’s quite fun!).

I did not have time to get to my favorite Polka Zweifacher in mixed 7/8 and 8/8 time. Next time, eh?